Torrentz Search Engine. Torrentz will always love you. HANDMADEJose Garcia Antonio, blind master potter from Mexico and one of his seductive clay mermaids, made onsite at the market. There are incredible markets around the world and then there is the International Folk Art Market in Santa Fe, New Mexico, an event that has been happening every July in Museum Hill since 2. Named the face of peace and the number one arts festival in the US by USA Today, this is the biggest global gathering of its kind. This year, 2. 5,0. The market starts with a parade of the artists welcomed by the city of Santa Fe as they gather in the main plaza welcomed by a Cuban live band. Li Edelkoort, the honorary chair for 2. Keith Recker, the creative director, read the names of each country and cried when Syria was called. This market is humanity, humanity at its core” said Li to an audience of culture bearers who blur borders with an eye- dazzling convergence of handmade forms, textures, and designs—textiles, jewelry, beadwork, basketry, wood carvings, ceramics, rugs, glass and metal work, sculpture, mixed media, toys, and more. In these turbulent times, it’s an amazing experience to be part of something based on beauty and respect. Face to face with artists from over 5. As one of the 1. 54 artists who participated this year said, “The market is everything that’s right with the world” affirmed Keith Recker, IFAA Creative Director and board member. ![]() Kavita Parmar from IOU Project was a first time participant in Innovation Inspiration, a special exhibition area featuring works by 3. I have had the opportunity as a designer to present my work in many shows and fairs around the globe including fashion capitals like Paris, New York, Florence, Milan etc. I have never encountered such a strong sense of community and an incredibly beautiful empathy within the artisans, the clients and the many staff and volunteers of the IFAA. The client response I have had even after coming back from the show has reinforced my belief that the customer is looking for authenticity and a direct dialogue with the craftsperson and this is one of the answers to the future of a true luxury shopping experience. Carla Fernandez, from Mexico and also a first time participant, said that she was very surprised to encounter a spiritual experience sort of a boot camp of the positive, the possible and the future where sharing is the currency.
![]() Handcraft more than ever is a strong direction for the future. Since the two past decades, we have seen an increasing interest in handmade; first to rediscover nearly. She has been to many shows around the world just selling her products but this is the only time where she has felt a real support, a real sense of community. The show reaffirmed her belief that the future is handmade, that this is a possible and relevant future that can be a sustainable thriving business. She also said she encountered the real America, one that favors diversity and culture and a very different one from the one in the news. Porfirio Gutierrez from Oaxaca who participated in 2. To be accepted means to receive a special recognition and be the beneficiary of all the knowledge and care by a pull of top specialists in different areas such as branding, entrepreneurship, marketing etc. Porfirio was very proud to be chosen as a mentor this year, helping first time artisans to get around. Somporn Intaraprayong from Thailand, represented by Chinalai, has participated 8 times at the market. Her booth is the first stop of any serious textile collector and one of the first to sell out. This year she was invited as a panelist where she spoke from the heart about her community of seamstresses and sewers who use stitches to tell stories of the rice fields and their daily lives. She includes everyone who needs and wants to work, they all have a chance and get the most important teaching of all: there is also beauty in imperfection, beauty in every process, beauty in every stitch. Olga Reiche from Guatemala has been to the market 8 times representing pik’bil textiles from the Queckchi ethnic group of Coban. These lace type textiles were nearly extinct with all the Chinese imports. Olga, the daughter of a German and an indigenous woman from Coban, remembers visiting her grandmother and being mesmerized by her silver jewelry and intricate white lace dress made using one thread hand spun cotton, back strap loom and white on white. Eight years ago, Olga saw the market as the perfect place to present to the world this technique and to use this as an “excuse” to rescue the knowledge and convince the artisans that there is a market that appreciates their heritage. I have the highest respect for the show, I know I will be surrounded by the best of the best, all chosen carefully according to principles of ethics, respect, tradition, heritage and culture. There is no place in the world where artisans are respected and honored like in Santa Fe”. Olga travels to the market with Amalia Gue, a weaver from a remote village who at 3. Olga’s. Fe Francis is the name of Amalia’s baby, named after the patron of the city and the market. Indeed, this is not a market, this is a miracle, as one of the slogans claims. The Santa Fe Folk Art Market is a community of ideals around sustainability, entrepreneurship, empowerment, diversity, well being and cultural preservation. Artists go home with 9. This impact is especially great for disenfranchised women and artists from developing countries, where artisan work is second only to agriculture and daily income averages less than $3. For both consumers and artists, the most positive path to the future is handmade.” Affirms Keith Recker. Seeing these cultural treasures and meeting the artists creates a connectivity that stirs the heart, opens the mind, and invites us to speak a single language,” says Judith Espinar, a co- founder of the Market. Through folk art, hope grows and understanding spreads across the world.”Marcella Echavarriawww. Marcella Echavarria is a Colombian- born, Mexico City based lifestyle specialist. She collaborates with designers and artisans around the world developing links that connect local knowledge with global trends. Her specialty is branding luxury and sustainability in a way that preserves cultures and traditions. Instagram. Collectivo 1. Grados, a collective of Mexican potters, makes modern forms using traditional methods and finishes. Left: Densely stitched indigo textiles by Thailand’s Somporn Intaraprayong Right: Li Edelkoort shopping at Somporn’s stand. Generously scaled Thai tribal silver jewelry was included among the textiles at Somporn Intaraprayong’s stand. Detail of a hooked rug made from recycled clothing by Cooperative de las Alfombras de Mujeres Mayas de Guatemala, a group of over 6. An array of indigo and natural cotton textiles by Somporn Intaraprayong. Detail of the sensuous stitchery of Somporn Intaraprayong. Detail of the recycled running stitch quilts of India’s Siddi Quilters, an African diaspora group whose work combines Indian and ancestral influences. Naturally dyed silks by Somporn Intaraprayong. Peruvian textile artist, author, and community organizer Nilda Callanaupa demonstrating the basics of hand spinning the Incan way. Details of hand- sewn, hand- embroidered, and hand- trimmed traditional Mexican blouses. Nepalese carpet weaver Sandeep Pokhrel shows off the lush tactility of his work. Kyrgyz felter Fariza Sheisheye stands in front of a massive, masterful felt carpet that sold moments after the opening bell. Details of jackets and tunics from the workshop of Uzbek ikat master Fazlitdin Dadajonov, who learned his skills from his father and grandfather. A member of the Valadez family, whose Huichol yarn paintings and beaded objects are market favorites for over a decade. The sisal- beaded edges of Tintsaba baskets from a women’s cooperative in Swaziland. Rushana Burkhanova sits atop a luxuriant pile of intricate Uzbek rugs from the Bukhara Carpet Weaving School. Left: an embroidery artist from Qasab Kutch, whose revival of 1. Right: a sculpture from Mexico’s Juan Garcia Antonio Stitch by Stitch founded by designer Graham Hollick is run by Graham and Karen Sear Shimali. They work with embroiderers and textile artisans in Gujarat, India to create hand crafted contemporary textiles for the home. After several life- changing trips to India, Graham admits to feeling as though he must have lived in India in a past life. One of the things that really excites me about India, is the visibility of craftsmanship everywhere you go: statue makers, weavers, kite makers.. This is lost in our culture - it's just not an everyday thing." says Graham.
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Torrentz Search Engine. Torrentz will always love you. ![]() Crack upute Mp3 DOMAĆI Mp3 STRANI Mp3 DJ's PS2 igre DivX FILMOVI DivX XXX DVD FILMOVI PC IGRE PROGRAMI Info Jihad Muhammad - Spiritual Dance Ep - (Msr009).GUIA DO PRAZER: Tudo o que você precisa saber sobre sexo está aqui Torne-se um expert, aprenda com a experiência de outras pessoas. Tabtight professional, free when you need it, VPN service. Torrentz will always love you. Farewell. © 2003-2016 Torrentz. ![]() Hi all, I'm new with a NAS542. first of all why the manual is so different from the real software?? the majority of the page/settings are completely different and. Curtiss P- 4. 0 Warhawk - Wikipedia. The Curtiss P- 4. Warhawk is an American single- engined, single- seat, all- metal fighter and ground- attack aircraft that first flew in 1. The P- 4. 0 design was a modification of the previous Curtiss P- 3. Hawk which reduced development time and enabled a rapid entry into production and operational service. The Warhawk was used by most Allied powers during World War II, and remained in frontline service until the end of the war. It was the third most- produced American fighter, after the P- 5.
P- 4. 7; by November 1. P- 4. 0 ceased, 1. Curtiss- Wright Corporation's main production facilities at Buffalo, New York. P- 4. 0 Warhawk was the name the United States Army Air Corps and after June 1. USAAF- adopted name for all models, making it the official name in the U. S. for all P- 4. 0s. The British Commonwealth and Soviet air forces used the name Tomahawk for models equivalent to the P- 4. B and P- 4. 0C, and the name Kittyhawk for models equivalent to the P- 4. D and all later variants. P- 4. 0s first saw combat with the British Commonwealth squadrons of the Desert Air Force in the Middle East and North African campaigns, during June 1. No. 1. 12 Squadron. Royal Air Force, was among the first to operate Tomahawks in North Africa and the unit was the first Allied military aviation unit to feature the "shark mouth" logo,[7][8] copying similar markings on some Luftwaffe Messerschmitt Bf 1. N 1]The P- 4. 0's lack of a two- speed supercharger made it inferior to Luftwaffe fighters such as the Messerschmitt Bf 1. Focke- Wulf Fw 1. Northwest Europe. However, between 1. P- 4. 0 played a critical role with Allied air forces in three major theaters: North Africa, the Southwest Pacific, and China. It also had a significant role in the Middle East, Southeast Asia, Eastern Europe, Alaska and Italy. The P- 4. 0's performance at high altitudes was not as important in those theaters, where it served as an air superiority fighter, bomber escort and fighter- bomber. Although it gained a postwar reputation as a mediocre design, suitable only for close air support, recent research including scrutiny of the records of individual Allied squadrons indicates that this was not the case: the P- 4. The P- 4. 0 offered the additional advantage of low cost, which kept it in production as a ground- attack aircraft long after it was obsolete as a fighter. Design and development[edit]Origins[edit]. Curtiss XP- 4. 0 "1. Materiel Division of the U. ![]() S. Army Air Corps. On 1. 4 October 1. Curtiss test pilot Edward Elliott flew the prototype XP- 4. Buffalo.[1. 1] The XP- 4. Curtiss P- 3. 6 Hawk,[1. Średnia pętla małobeskidzka Zazwyczaj w Wielką Sobotę (23.04.2011) większość normalnych ludzi czas spędza z rodziną lub idzie ze święconką do swojej.Pratt & Whitney R- 1. Twin Wasp) 1. 4- cylinder air- cooled radial engine replaced at the direction of Chief Engineer Don R. Berlin by a liquid- cooled, supercharged Allison V- 1. V- 1. 2 engine. The first prototype placed the glycol coolant radiator in an underbelly position on the fighter, just aft of the wing's trailing edge.[1. USAAC Fighter Projects Officer Lieutenant Benjamin S. Kelsey flew this prototype some 3. Hiding his disappointment, he told reporters that future versions would likely go 1. Kelsey was interested in the Allison engine because it was sturdy and dependable, and it had a smooth, predictable power curve. The V- 1. 2 engine offered as much power as a radial engine but had a smaller frontal area and allowed a more streamlined cowl than an aircraft with a radial engine, promising a theoretical 5% increase in top speed.[1. Curtiss engineers worked to improve the XP- 4. Seeing little gain, Kelsey ordered the aircraft to be evaluated in a NACA wind tunnel to identify solutions for better aerodynamic qualities. From 2. 8 March to 1. April 1. 93. 9, the prototype was studied by NACA.[1. Based on the data obtained, Curtiss moved the glycol coolant radiator forward to the chin; its new air scoop also accommodated the oil cooler air intake. Other improvements to the landing gear doors and the exhaust manifold combined to give performance that was satisfactory to the USAAC.[1. Without beneficial tail winds, Kelsey flew the XP- 4. Wright Field back to Curtiss's plant in Buffalo at an average speed of 3. N 2] Further tests in December 1. An unusual production feature was a special truck rig to speed delivery at the main Curtiss plant in Buffalo, New York. The rig moved the newly built P- 4. Performance characteristics[edit]. A three- quarter view of a P- 4. B, X- 8. 04 (s/n 3. This aircraft served with an advanced training unit at Luke Field, Arizona. The P- 4. 0 was conceived as a pursuit aircraft and was agile at low and medium altitudes but suffered from a lack of power at higher altitudes. At medium and high speeds it was one of the tightest- turning early monoplane designs of the war,[2. North Africa and the Russian Front. In the Pacific Theater it was out- turned at lower speeds by the lightweight fighters A6. M Zero and Nakajima Ki- 4. Oscar" which lacked the P- 4. The American Volunteer Group Commander Claire Chennault advised against prolonged dog- fighting with the Japanese fighters due to speed reduction favouring the Japanese.[2. Allison's V- 1. 71. W) at sea level and 1. This was not powerful compared with contemporary fighters, and the early P- 4. The single- stage, single- speed supercharger meant that the P- 4. Later versions, with 1,2. W) Allisons or more powerful 1,4. Packard Merlin engines were more capable. Climb performance was fair to poor, depending on the subtype.[1. Dive acceleration was good and dive speed was excellent.[1. The highest- scoring P- 4. Clive Caldwell (RAAF), who claimed 2. P- 4. 0 had "almost no vices", although "it was a little difficult to control in terminal velocity".[2. The P- 4. 0 had one of the fastest maximum dive speeds of any fighter of the early war period, and good high- speed handling. Evidence of the P- 4. F/O T. R. Jacklin (pictured) flew this No. Squadron RAAF P- 4. N- 5 more than 2. P- 4. 0N- 5.[2. 3][N 3]The P- 4. Its semi- modular design was easy to maintain in the field. It lacked innovations such as boosted ailerons or automatic leading edge slats, but its strong structure included a five- spar wing, which enabled P- 4. G turns and survive some midair collisions. Intentional ramming attacks against enemy aircraft were occasionally recorded as victories by the Desert Air Force and Soviet Air Forces.[2. Caldwell said P- 4. Operational range was good by early war standards and was almost double that of the Supermarine Spitfire or Messerschmitt Bf 1. Mitsubishi A6. M Zero, Nakajima Ki- 4. Lockheed P- 3. 8 Lightning. Caldwell found the P- 4. C Tomahawk's armament of two . Browning AN/M2 "light- barrel" dorsal nose- mount synchronized machine guns and two . Browning machine guns in each wing to be inadequate.[2. This was improved with the P- 4. D (Kittyhawk I) which abandoned the synchronized gun mounts and instead had two . Caldwell still preferred the earlier Tomahawk in other respects. The D had armor around the engine and the cockpit, which enabled it to withstand considerable damage. This allowed Allied pilots in Asia and the Pacific to attack Japanese fighters head on, rather than try to out- turn and out- climb their opponents. Late- model P- 4. Visibility was adequate, although hampered by a complex windscreen frame, and completely blocked to the rear in early models by a raised turtledeck. Poor ground visibility and relatively narrow landing gear track caused many losses on the ground.[1. Curtiss tested a follow- on design, the Curtiss XP- 4. P- 4. 0 models and was cancelled.[2. Operational history[edit]In April 1. U. S. Army Air Corps, having witnessed the new, sleek, high- speed, in- line- engined fighters of the European air forces, placed the largest fighter order it had ever made for 5. P- 4. 0s. French Air Force[edit]An early order came from the French Armée de l'Air, which was already operating P- 3. The Armée de l'Air ordered 1. Hawk 8. 1A- 1 but the French were defeated before the aircraft had left the factory and the aircraft were diverted to British and Commonwealth service (as the Tomahawk I), in some cases complete with metric flight instruments. In late 1. 94. 2, as French forces in North Africa split from the Vichy government to side with the Allies, U. S. forces transferred P- 4. Fs from 3. 3rd FG to GC II/5, a squadron that was historically associated with the Lafayette Escadrille. GC II/5 used its P- 4. Fs and Ls in combat in Tunisia and later for patrol duty off the Mediterranean coast until mid- 1. Republic P- 4. 7D Thunderbolts. Zyxel Forum | Zyxel. Un lugar ideal para Escuchar Musica de Joan Sebastian 2017, Baladas De Oro lo mejor de la Musica de Joan Sebastian por internet! Si estas lo que deseas es pasar momentos agradables escuchando buena musica, este es tu lugar, y lo mejor viene con buena calidad acompañado de los mejores grupos y. 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Dante is a socks. ![]() In this quick tutorial we shall learn how to setup dante and use authentication. With authentication enabled, the dante proxy server would require all clients to provide login details in order to use the proxy server. This is a good idea. Installing Dante on Ubuntu. The default Ubuntu repositories have the dante- server package but it is outdated. The version present is 1. The authentication feature does not work properly. If you don't need authentication then you can install it. The version in repository was# danted - v. Like said earlier, the authentication feature does not properly work with it. The log file shows the following error messages - Mar 1. Trying to test with curl shows the following error message - $ curl - v - x socks. Trying 1. 04. 1. 31. User was rejected by the SOCKS5 server (1 1). Closing connection 0. User was rejected by the SOCKS5 server (1 1). Some users have reported similar issues at this reddit post - https: //www. 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XRDP – How to install XRDP on Ubuntu 1. Easy Way – Griffon's IT Library. Hello World, As you probably know, Canonical is discontinuing Unity Desktop interface (see this post) and as announced recently it seems that Ubuntu 1. Gnome desktop already. This means that’s probably the last time we will be covering xrdp in conjunction with Unity Desktop. Since Ubuntu 1. This is a logical step forward as the team behind xrdp has also release officially the long awaited xrdp package version 0. This version brings many improvements but also some challenges. Improvements are related to drives redirection, clipboard, builtin xrdp server backend component. In term of challenges, the xrdp behavior seems to have changed a little bit as well in Ubuntu and the way it interact with Unity Desktop. In this post, we will have a look on how to perform a standard installation of xrdp on Ubuntu 1. Let’s do this…. Standard XRDP installation on Ubuntu 1. Assumptions. For this post, we have make some assumptions. No alternative Desktop will be used. Unity Desktop will be the default desktop accessible via the xrdp session. We are using the standard xrdp package available within the Ubuntu repository for Ubuntu 1. Ubuntu 1. 7. 0. 4 (Final Release version) is used. Click on picture for better resolution. Installation Process Step 1 – Install XRDP Package The xrdp installation process – the easy way simply consist of installing the available xrdp package within the Ubuntu repository. So, from the a terminal console, we will simply need to issue the standard apt- get install command as provided below. sudo apt- get install xrdp. Because of the sudo command, you will be prompted for a password. After entering your password, you will be asked to confirm your action by pressing Y (see screenshot below)Click on picture for better resolution. That’s it ! Yes, you read it correctly, you do not need to perform any other installation software like vnc or alternate desktop interface in order to use the xrdp software solution in conjuction with Unity Desktop interface. However, there is a catch ! Keep reading…. Workarounds,Improvements & Limitations Improvement #1 – Keyboard layout configuration If you start your remote desktop client and connect remotely to your machine, you should be presented with the standard (not really sexy) green background and the login screen from xrdp software. Click on picture for better resolution. With previous version of xrdp (0. Us. In Ubuntu 1. 7. So, there is no need to configure keyboard layouts here. We are using a Belgian keyboard and we didn’t had to configure the keyboard layout through the xrdp- genkeymap command. Limitation #1 – one connection only to session (either console or xrdp remote session)This is kind of an annoying constraint. If you are logged into your ubuntu machine directly (no remote session) and you try to connect through xrdp software, you will get access to the xrdp login screen, possibly see a black screen and then you will be disconnected. This behavior seems due to the fact that xrdp is trying to connect to the existing session available at the console. If you logoff from the Ubuntu local console and try again, you will be able to connect via xrdp and you will be presented with a black screen…. However, your xrdp connection will stay active…. Click on picture for better resolution. Limitation #2 – Manually start the Unity Desktop interface To access the Unity Desktop, you will need to right click on the black screen and select the option open terminal. Click on picture for better resolution In the Terminal console that opens (place your mouse on the console) and type the following command exec unity. Click on picture for better resolution. Note : In the Terminal console, at the stage, the keyboard layout is en- US…. After a few seconds, you might see your screen blinking a little bit and the Unity Desktop interface will be displayed in front of you…. Note : We have found a workaround to automate the Unity Desktop loading process…. See later in this post…. Improvement #2 – Keyboard layout configuration within xrdp session We have already mentioned the fact that the xrdp login screen automatically detects the proper keyboard layout. Another improvement is within the xrdp session. Again, the keyboard layout is detected automatically and you can see the language bar in the indicator. You can also change the keyboard layout within the xrdp session (through setxkbmap or gui) which was not an option in previous xrdp releases…Click on picture for better resolution. Limitation #3 – Some functions not available within XRDP Session If you try to change the background from xrdp session or if you open the system settings applets, you will see that you are rather limited within the xrdp session. I would expect that this is by design and would make sense that a certain number of options would be blocked from remote session… Click on picture for better resolution. Improvement #3 – Drives Redirection and Clipboard supportxrdp 0. These features were the most requested one and they are now available. In Ubuntu 1. 6. 1. However, it was not obvious to find and locate the redirected drives. In Ubuntu 1. 7. 0. Canonical has made them visible and accessible which really improve user experience. Now, it nautilus, you can see a shortcut to the redirected drives… Click on picture for better resolution. If you are using the Windows remote desktop client, in order to access the redirected drives within the xrdp remote session, you need to ensure that the remote desktop client is configured accordingly. As shown in the screenshot below, you have to ensure that the only option selected in the local resources tab are the Clipboard option and the drive option. Click on picture for better resolution. Click on picture for better resolution. When these settings have been set accordingly, you should see the thin client folder populated with redirected drives coming from your Windows machine. Click on picture for better resolution. Improvement #4 – Performance and applications launching. The performance of xrdp remote session are a little bit better when working on internal network (LAN). There is still sometimes some serious lags or delays when launching applications. However, as seen in the following screenshot, the most used applications can be used and are workable through the remote desktop sessions. Click on picture for better resolution. Improvement #5 – Indicator panel and logout working. In Ubuntu 1. 7. 0. This feature was lacking or problematic with previous versions/implementation… workaround #1 – Automatically load the Unity Desktop in x. RDP session In the previous installation guides about xrdp and Ubuntu (Unity), in order to load automatically Unity Desktop, we would be using the . We have tried this approach but out of 1. Moreover, it seems that when the . So, we wanted to come with a quick workaround…and we have simply created a bash script file that would check if we are connected directly on the console or through the xrdp session. If the session is through xrdp session, the script will execute the exec unity command. In this screenshot, you can see the script that has been created (file- name. We have made sure that the file is executable by adjusting the permissions on the file and ticking the option “allow executing file as program” (as shown in the screenshot) Click on picture for better resolution Then, when locally connected to your ubuntu, launch the Dash and look for startup Applications. Click on it. Click on picture for better resolution. In the startup application windows, press the Add Button and the add program dialog box is displayed. Provide the requested information and press Add. Click on picture for better resolution. In the Startup application list, you should see your recently added startup program. Click on picture for better resolution. The next time you login into your system, the Unity Desktop should load automatically and you will have access to your Unity interface through x. RDP session . Note : The script or method to have unity loaded automatically is described in this post. Final Notes. As you can see, it’s possible to have xrdp working against unity interface while using the latest version of the xrdp package (0. The new xrdp backend server components provides a real improvement over the previous implementation. In Ubuntu 1. 7. 0. In the past, a user could be logged in locally on the Ubuntu machine and in the xrdp remote session. This is not anymore the case (sort of). Any fan of Bejeweled will thoroughly enjoy this fun and deceptively simple game where you match treasures. Have fun for hours with Treasure Hunt. Download Games. IceFilms.info. Over 100,000 HQ DivX TV & Movies! All DVD Quality! 99.99% Active Links! The Fastest Streams! Updated Daily! No Cams! And we love you too :). Tir Games Download Games Direct. Download Jigsaw Puzzle Games | Free Jigsaw PC Download Games. ![]() Download Game Bubble Gratis Untuk Pch Frontpage![]()
![]() Libro - Wikipedia, la enciclopedia libre. Un libro (del latínliber, libri) es una obra impresa, manuscrita o pintada en una serie de hojas de papel, pergamino, vitela u otro material, unidas por un lado (es decir, encuadernadas) y protegidas con tapas, también llamadas cubiertas. Un libro puede tratar sobre cualquier tema. Según la definición de la Unesco,[1] un libro debe poseer 2. También se llama "libro" a una obra de gran extensión publicada en varias unidades independientes, llamados "tomos" o "volúmenes". Otras veces se llama también "libro" a cada una de las partes de una obra, aunque físicamente se publiquen todas en un mismo volumen (ejemplo: Libros de la Biblia). Hoy en día, no obstante, esta definición no queda circunscrita al mundo impreso o de los soportes físicos, dada la aparición y auge de los nuevos formatos documentales y especialmente de la World Wide Web. El libro digital o libro electrónico, conocido como e- book, está viendo incrementado su uso en el mundo del libro y en la práctica profesional bibliotecaria y documental. Además, el libro también puede encontrarse en formato audio, en cuyo caso se denomina audiolibro. Desde los orígenes, la humanidad ha tenido que hacer frente a una cuestión fundamental: la forma de preservar y transmitir su cultura, es decir, sus creencias y conocimientos, tanto en el espacio como en el tiempo. El planteamiento de esta cuestión supone: por un lado, determinar la forma de garantizar la integridad intelectual del contenido de la obra y la conservación del soporte en el que fue plasmada, y por otro, encontrar el medio por el cual se mantendrá inalterada la intención o finalidad para la cual se concibió. Los orígenes de la historia del libro se remontan a las primeras manifestaciones pictóricas de nuestros antepasados, la pintura rupestre del hombre del paleolítico. Con un simbolismo, posiblemente cargado de significados mágicos, estas pinturas muestran animales, cacerías y otras escenas cotidianas del entorno natural del hombre antiguo, que trataba de dominar las fuerzas adversas de la naturaleza capturando su esencia mediante su representación. Son el más antiguo precedente de los primeros documentos impresos de que se tiene memoria. Comunicación oral y formas rudimentarias[editar]Las señales gestuales fueron la primera forma de expresar y transmitir mensajes. La palabra hablada es la manera más antigua de contar historias. Mediante fórmulas de valor mnemotécnico[2] se estructuraban narraciones, que pasaban de generación en generación como valiosa herencia cultural de los más diversos grupos humanos. Dichas reglas mnemotécnicas ayudaban tanto a la memorización como a la difusión de los relatos. ![]() Web oficial de la Universidad de A Coruña. Enlaces a centros, departamentos, servicios, planes de estudios. GUIA DO PRAZER: Tudo o que você precisa saber sobre sexo está aqui Torne-se um expert, aprenda com a experiência de outras pessoas. NATURA : AMORE: ARTE: ANIMALI: CITTÀ: NATALIZI: RICORRENZE: PAESAGGI: FIORI: VARIE: Dipinto di Salvador Domènec Felip Jacint Dalí, Olio su Tela "Noia alla finestra. Es el caso de los poemas homéricos, que han merecido valiosos estudios sobre el particular. Posiblemente, gran parte de las tradiciones y leyendas han tenido semejante inicio. Esta transmisión oral tenía el inconveniente de los «ruidos» que deformaban el mensaje. La mayoría de las veces era el narrador (rapsoda, aeda, juglar) quien en función de sus intereses la deformaba de una u otra forma. La escritura[editar]Cuando los sistemas de escritura fueron inventados en las antiguas civilizaciones, el hombre utilizó diversos soportes de escritura: tablillas de arcilla, ostracon, placas de hueso o marfil, tablas de madera, papiros, tablillas enceradas, planchas de plomo, pieles curtidas, etc. La escritura fue el resultado de un proceso lento de evolución con diversos pasos: imágenes que reproducían objetos cotidianos (pictografía); representación mediante símbolos (ideografía); y la reproducción de sílabas y letras. Los más antiguos vestigios de escritura se encuentran, hacia finales del IV milenio a. C., en el Antiguo Egipto, con jeroglíficos, y la antigua Mesopotamia, mediante signos cuneiformes (escritura cuneiforme; utilizaban una varilla con sección triangular, que al hendir en placas de arcilla, dejaba una marca en forma de cuña). La usaron los sumerios, acadios, asirios, hititas, persas, babilonios etc. La escritura egipcia, que perduró más de tres milenios, mediante jeroglíficos, representaba ideas abstractas, objetos, palabras, sílabas, letras y números. Evolucionó en las escrituras hierática y demótica. Otros pueblos, como los hititas y los aztecas también tuvieron tipos propios de escritura. La escritura china más antigua que se conoce son 5. C. en el yacimiento de Xiaotun, en la provincia de Henan. Pero los primeros libros reconocibles de China corresponden al siglo VI a. C., los jiance o jiandu, rollos de finas tiras de bambú o madera grabados con tinta indeleble y atados con cordel. Estos textos servían principalmente a causas institucionales , era la obra de funcionarios civiles o militares.[3]Desde Confucio en adelante (5. C.) los libros se convirtieron en importantes instrumentos de aprendizaje, se escribieron tratados de filosofía, medicina, astronomía y cartografía. En el período de los reinos combatientes (4. C.) La seda se usó mucho como soporte para escribir. La tela era ligera, resistente al clima húmedo, absorbía bien la tinta y proporcionaba al texto un fondo blanco, sin embargo era mucho más cara que el bambú, es por esto que en ocasiones se hacía una copia en bambú antes de grabarse en seda los textos importantes. La invención del papel según la tradición china, se atribuye a un eunuco de la corte imperial llamado Cai Lin en el 1. C. Usando nuevos ingredientes (trapos viejos, cáñamo, corteza de árbol y redes de pescar) creó un método de fabricación de papel muy similar al que se usa hoy en día. Pero el papel tardó cientos de años en reemplazar al bambú y la seda, fue hasta finales del siglo II d. C. que la corte imperial lo usó en cantidades importantes. Esta innovación no se propagó fuera de China hasta el 6. C. aproximadamente, y alcanzó Europa a través de España hasta el siglo XII. A mediados del siglo VIII los chinos inventaron la impresión xilográfica, o el grabado en madera, y la necesidad de reproducir un gran número de textos e imágenes budistas, calendarios, manuales de adivinación y diccionarios promovió una rápida y temprana propagación de la xilografía. El primer libro impreso chino que se ha encontrado es el Sutra del diamante del 8. C. Los impresores chinos crearon los tipos móviles hacia el siglo XI, el escritor chino Ch'en Kua (1. Mengshi Pitan), según el escritor el herrero Jen. Tsung de la dinastía de los Song del norte entre 1. También se le atribuye la creación de una mesa giratoria para guardar los caracteres, esta técnica se llamaba tipografía tablearia. Hacia el 1. 30. 0 Wang- Tcheng, un técnico agrónomo, emplazó la arcilla por madera de azufaifo, que era mucho más dura. Pero este avance no revolucionó la imprenta hasta el punto que lo hizo Gutenberg en Europa 4. A diferencia de las lenguas europeas, el chino escrito requiere miles de caracteres únicos, lo que hace mucho más eficaz los bloques de madera individuales que los enormes conjuntos de tipos reutilizables. En contraste con el declive de las artes de los escribas en occidente en los siglos que siguieron a la creación de la imprenta de tipos móviles, la caligrafía china conservó su prestigio, era un arte. No obstante, a finales del siglo XV, China había producido más libros que el resto del mundo junto. Los árabes aprendieron la técnica para fabricar papel de sus contactos con China en el siglo VIII, y este se introdujo en Europa en el siglo XII a través de la España musulmana.[3]La obra xilográfica más antigua encontrada hasta nuestros días es el Dharani Sutra de Corea, datado en el 7. C., aunque no se sabe quién fue el inventor de la xilografía los chinos y coreanos fueron los que impulsaron la impresión xilográfica, principalmente para editar textos religiosos. El budismo chino y coreano fue el vehículo que trasmitió la xilografía a Japón. Pero Corea realizó muchos otros avances que revolucionaron la manera de imprimir y en consecuencia el libro. Entre 1. 23. 4 y 1. Gwanghwa, debido a la invasión mongol, no disponían de madera dura fue entonces que imprimieron 2. Go geum sang jeong ye mun con caracteres móviles metálicos. La obra del año 1. Más tarde el rey Taejong puso en funcionamiento un taller que contribuía a la difusión de la escritura y en 1. Jujaso, donde se fabricaban caracteres móviles de imprenta, realizó la primera fundición de tipos móviles en bronce. The Access Web - APIs: Index of Articles. Call Windows File Open/Save Dialog box. How to allow the user to select a file by calling the standard Windows File Open/Save dialog. Call Windows Browse for Folder Dialog box. Retrieve the folder name that the user selected by calling the standard Browse folder dialog. Get Local Drives and UNC Path of network drives. How to use Win32 VBA API. Using an API in VBA is straight forward for a simple API call. Detect all the available drive letters and retrieve the UNC path of the drives connected to the network. Have Access pause until Shelled process has finished. Make your code wait while the shelled application is still running. Retrieve Unique Filenames for mass export. Programmatically retrieve sequential file names (tmp. Dat, tmp. 00. 01. Dat etc)Search for a file. Use the File. Search Object or Search. Tree. For. File API to locate a file on the hard drive. Find out if an application is currently running. How to use a Window's class name to determine whether one or more instances of an application is currently running. Network User Name. Retrieve the network login ID of the user. ![]() Current Computer Name. Retrieve the network name for the local machine. Unlike many other tasks in VBA, writing declarations for Windows API functions isn't the sort of thing you can learn to do. Calling a Windows API Function. Calling API functions using C#. Its a complicated things for me to convert Windows API. Does anyone know how to do this by calling the ODBC API function. · I realize that for win api calls in 64-bit vba 7, I have to change long parameters that are pointers/handles in the api declares to longptr and use clngptr. Chapter 17: API Calls from - Excel VBA Macro Programming. your hard disk and Windows knows which key you pressed. VBA does not have the. calling the API. Retrieve Windows/System/Temp Directories. Find out the location of some of the standard folders. >How do you call a Windows API function which has a string (i.e. pointer to >character) as a parameter? The following code gives an invalid page fault. Sometimes you need to call win32 API that requires a pointer to struct, here comes the need to XNHost.Struct. For example to create a win32 Point Struct. How to play WAV/MIDI/AVI files. How to use the API to play multimedia files. Use Get. System. Metrics to return System specific information. Retrieve various widths and heights of display elements and configuration settings. Find class names of a running application. Use this routine to print out the Class name of all applications currently running on the system. Create/return a unique temp file. Use Get. Temp. File. Name API to create a temporary file in Windows' temp folder. Read a Value from Registry. How to read a particular key's value in the Registry. How do I quit Windows from Access? Shutdown the machine. How to retrieve information about a specific Locale. Detect the user's/system's Locale specific settings (enumerated in HKCU\Control Panel\International or HKLM\System\Current. Control. Set\Control\NLS)Start Registered applications with Shell. Execute. Let Windows start the application associated with a particular file extension. Manipulate Access Window. How to show, hide, minimize, and maximize the main Access window (h. Wnd. Access. App)Return Long or Short Filenames. Convert between Short File Names (8. Long File Names. Make it "Sleep"Creating a code based delay. Disable Close button on maximized form. How to remove the restore and close standard Windows captionbar buttons from a maximized form. Retrieve executable's filename and path. Given a file extension, locate the associated executable's name and path. Daylight Savings Time & Precise. Date. Diff. How to account for timezones. Close another Application. Using the Windows API to close another application. Copy a database. How to create a copy of the databaseh. Wnd of Controls. Retrieving the elusive h. Wnd (handle) of Access's controls. Change cursor while editing. How to shrink/grow the caret in edit boxes. Detect Available Resolutions. Find out which resolutions are currently available on the system. Interrupt running code. How to use the keyboard to terminate loops in progress. Address. Of. Getting VB's Address. Of functionality in Access/Office 9. Drag and Drop from Explorer. Subclassing a form to receive the WM_DROPFILES message when files are dragged and dropped from Explorer. Enumerating System Fonts. Calling Enum. Font. Families to enumerate installed fonts. Detect Application Activate/Deactivate. Processing WM_ACTIVATEAPP message to detect when your application receives and loses focus. Put an image in Access window. How to display images in Access's background by subclassing the MDIClient window. Track Intelli. Mouse's wheel. Keep a track of how many "ticks" have been sent to your application by Intellimouse's wheel. Suppress the "Printing" Dialog. Minimize the modal "Printing" dialog from the Timer event of a form. Suppress the "Loading Image" dialog. How to get rid of the "Loading Image" put up by the image import filter. Retrieve NT Server's Time. Using Net. Remote. TOD API function to get a server's current time. Retrieve Current User's NT Domain. How to retrieve the Domain a user is logged into. Preventing Multiple Instances of a database. Using an application's Title. Bar to detect any instances that may have been previously opened. Copy an image to the Clipboard. How to copy an embedded or linked image currently being displayed in an Image control to clipboard. Put a custom icon in the form's caption bar. How to display a custom icon in an Access's form caption bar. Displaying a custom Mouse icon. How to display different mouse cursors (including the Hand, default cursor for hyperlinks)Subclassing form for Sys. Tray functionality. Putting a form's Icon in the system tray and receiving mouse notifications. Replacement for Sendkeys. Use this API based routine to avoid using Send. Keys at all in your code. Enabling Full Row Select in a List. View. How to enable Full. Row. Select in a Listview. Enabling Full Row Select in a Treeview. How to enable a Full. Row. Select in a Treeview. Copy variables/control contents to memory. How to send and retrieve content (values) from the clipboard. Rotate Text. How to display rotated text by using a label control. Read/Set Internet Explorer URL from code. Control currently open Internet Explorer sessions by reading or changing their Address values. Determining Combobox's Dropped state. How to find out if a combo box is currently open. Drawing images on an Access form. Can you draw images on an Access form like you can in VB? Retrieving a Special Folder's location. Get the physical location of standard Windows folders. Retrieving Operating System Name. Which operating system is it? Changing button captions in Get. Open. File. Name dialog. Using the OFN_ENABLEHOOK flag to display custom text on "Open" and "Cancel" buttons, and hiding other controls displayed in the dialog. Removing Min/Max/Close buttons from a report's Preview Window. Control how the user can close a report by getting rid of the standard caption bar buttons. Enumerating user accounts in a NT Domain. How to list all the accounts available in a particular domain, and how to retrieve additional information (like full name) for accounts. Changing Access's Priority under NT/Win. Temporarily giving Access more CPU time by increasing it's Process priority. Calling Windows Choose Color Dialog. How to call the standard Windows Choose. Color dialog. Calling Windows Choose Font Dialog. How to call the standard Windows Choose. Font dialog. Return the User. ID currently logged on a remote machine. Given a machine name, connect to the remote machine and retrieve the User. ID from the registry. Close the VBE window in Access 2. Use Win. 32 API functions to close the VBE window, if it's open Change the Fore. Color and Bold properties of a selected node in Treeview. Highlight the currently selected node at runtime. Get Version of Office Exes (detecting Office patches)Load version information from the binary itself. Get full name of the user currently logged in to the system. Retrieve the full user name for a given user id. Perform IP Lookups and resolve addresses. Lookup IP addresses and resolve a given IP to retrieve the machine name it's bound to. Bypassing Autoexec. How to bypass the Autoexec macro in automation projects. Find out if the database container window is currently visible. How to determine if the database container window is currently visible or not. How to use Win. 32 VBA APIWin. VBA API usage is straight forward for a simple API call and many common. API calls are simple. First you have to. API in a Module. This involves finding the API you are. Module. For. example, if you wany to retrieve the username of the logged in user you. API get username" (without the quotes) or. API to do.. In. this case you would quickly find results for an API called getuername. Copy its Declare statement to a Module. For readability and. Module dedicared to APIs. You then paste the. Declare as follows.. Private Declare. Function Get. User. Name Lib "advapi. Alias "Get. User. Name. A" (By. Val. Buffer As String, n. Size As Long) As Long. Public. Declare Function Get. User. Name Lib "advapi. Alias "Get. User. Name. A". (By. Val lp. Buffer As String, n. Size As Long) As Long. If. you are using it in places other than the Module where you place the. Declare be sure the firest word of the Declare is "Public" and not. Private". A private declaced API can only be called from within the. Module as the Declare. You can see in this API. The first is lp. Buffer which is a buffer. API to the username. The second is n. Size, which. You have to. fill the variable you pass to the API and have a Return variable as. Long. you can see this in the code below.. Sub User()Dim res As Long. Dim My. Buff As String * 2. Dim My. Size As Long. My. Size = 2. 56res = Get. User. Name(My. Buff, My. Size)If res < > 0 Then. Msg. Box Left$(My. Buff, In. Str(1, My. Buff, vb. Null. Char) - 1)Else. Msg. Box "Error, Not logged in"End If. 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